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      FACULTY OF FINE ARTS AND DESIGN

      Department of Textile and Fashion Design

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      FA 204 | Course Introduction and Application Information

      Course Name
      Fashion Graphics and Representation
      Code
      Semester
      Theory
      (hour/week)
      Application/Lab
      (hour/week)
      Local Credits
      ECTS
      FA 204
      Spring
      0
      4
      2
      5

      Prerequisites
      None
      Course Language
      English
      Course Type
      Required
      Course Level
      First Cycle
      Mode of Delivery face to face
      Teaching Methods and Techniques of the Course Jury
      Application: Experiment / Laboratory / Workshop
      Practical demonstration
      Lecture / Presentation
      National Occupation Classification -
      Course Coordinator
      • Öğr. Gör. Angela BURNS
      Course Lecturer(s)
      • Öğr. Gör. Angela BURNS
      Assistant(s) -
      Course Objectives The course objective is to introduce students to a variety of computer aided design programmes for developing their skills in the visual representation of the concept and design works.
      Learning Outcomes

      The students who succeeded in this course;

      • Will be able to construct a garment through technical drawing
      • Will be able to create professional technical drawing flats using computer aided design
      • Will be able to create professional design and presentation boards using CAD
      • Will be able to employ CAD skills to design and present a professional brand design
      • Will be able to utilize digital visual communication techniques to create a professional portfolio of work
      Course Description This course will develop on existing skills to achieve a more professional level of workmanship and presentation of design ideas. It aims to develop students' ability to communicate their ideas creatively by using creative visual and digital media and to develop skills to meet current industry requirements. In addition, students will apply the techniques of digital visual communication to create technical drawing, product development, branding solutions, illustration, which can be presented as a professional portfolio of work.
      Related Sustainable Development Goals

       



      Course Category

      Core Courses
      Major Area Courses
      X
      Supportive Courses
      Media and Management Skills Courses
      Transferable Skill Courses

       

      WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

      Week Subjects Related Preparation
      1 Illustrator Basics Introduction / Drawing Lines: Introduction to the computer aided design in fashion. The basic of vector graphics. Centner, m. & Vereker, F. “Fashion Designers Handbook for Adobe Illustrator”. John Wiley and Sons Ltd, UK (2011) / Chapter 1 The basics – P. 2 – 34
      2 Illustrator Basics Group /Arrange Objects / Basic T-shirt: Creating a basic garment with Adobe illustrator. Using the Pen, Move, Zoom, Shortcuts, Layers, Stitching, Grouping, Arranging, Reflecting, Joining Anchor Points Burke, S., “Fashion Computing: Design Techniques And CAD”, Burke Publishing (2005) / Chapter 3 Computer Basics – p.18-25 Centner, m. & Vereker, F. “Fashion Designers Handbook for Adobe Illustrator”. John Wiley and Sons Ltd, UK (2011) / Chapter 2 First Garment – p.36 – 66 / p.70 Creating a basic tee and neckband
      3 Illustrator Basics Skirt: Creating a basic skirt with Adobe illustrator. Drawing pleats and folds, adding design details, applying colour, creating colour libraries. Burke, S., “Fashion Computing: Design Techniques And CAD”, Burke Publishing (2005) / Chapter 5 Flats & Specs – p. 44 – 72
      4 Illustrator Basics Jeans: Creating a denim product with Adobe illustrator. Drawing jeans and denim details, using libraries, adding fabric swatches, changing stitch colours
      5 Illustrator Basics Design Details: Self-directed application of basic Adobe Illustrator skills for a drawing exercise.
      6 Pattern Colour Schemes / Board / Drawing Patterns: Developing a colour scheme and saving to colour libraries. Creating repeat patterns from freehand drawing techniques. Burke, S., “Fashion Computing: Design Techniques And CAD”, Burke Publishing (2005) / Chapter 11 Design Presentations - P.122 - 152
      7 Pattern Repeat Pattern Design Variations: Exploring repeat pattern variations, scale and direction Bowles, M. & Isaac, C. “Digital Textile Design” Laurence King Publishing (2009) / Chapter 3 Patterns and Repeats - P.87 – 120
      8 Pattern Repeat Pattern Design Variations / Lines & Checks: Exploring repeat pattern variations, scale and direction. Creating striped and checked patterns. Bowles, M. & Isaac, C. “Digital Textile Design” Laurence King Publishing (2009) / Chapter 3 Patterns and Repeats - P.87 – 120
      9 MIDTERM WEEK
      10 Pattern Colour Variations / Application on Designs/ Presentation: Application of colour and pattern variations to garment design. Using the recolouring tool. Tallon, K., “Digital Fashion Illustration with Photoshop and Illustrator”, Batsford (2008) / Chapter 3 Illustrations with textiles, patterns, and texture p. 66 -87 Szkutnicka, B., “Technical Drawing for Fashion”. Laurence King Publishing (2010) / Adding colour, texture and pattern to technical drawing – p.46 – 50
      11 Semester Project Developing a concept through the creation of a moodboard. Developing brushes. Burke, S., “Fashion Computing: Design Techniques And CAD”, Burke Publishing (2005) / Chapter 5 Flats & Specs – p. 44 – 72
      12 Semester Project Developing a collection of repeat print designs. Burke, S., “Fashion Computing: Design Techniques And CAD”, Burke Publishing (2005) / Chapter 5 Flats & Specs – p. 44 – 72
      13 Semester Project Developing Garment Variations Burke, S., “Fashion Computing: Design Techniques And CAD”, Burke Publishing (2005) / Chapter 5 Flats & Specs – p. 44 – 72
      14 Semester Project Developing a professional portfolio Szkutnicka, B., “Technical Drawing for Fashion”. Laurence King Publishing (2010) / Adding colour, texture and pattern to technical drawing – p.46 – 50
      15 Portfolio Summation of Semester
      16 Review of Semester

       

      Course Notes/Textbooks

      Books listed above, PowerPoint presentations, and tutorials on the website

      Suggested Readings/Materials

      Burke, S., “Fashion Computing: Design Techniques And CAD”, Burke Publishing (2005) ISBN-13: 978-0958239134

      Centner, m. & Vereker, F. “Fashion Designers Handbook for Adobe Illustrator”. John Wiley and Sons Ltd, UK (2011) ISBN:9781119954842

      Szkutnicka, B., “Technical Drawing for Fashion”. Laurence King Publishing (2010) ISBN-13: 978-1856696180

      Tallon, K., “Digital Fashion Illustration with Photoshop and Illustrator”, Batsford (2008) ISBN-13: 978-0713490589

       

      EVALUATION SYSTEM

      Semester Activities Number Weigthing
      Participation
      Laboratory / Application
      Field Work
      Quizzes / Studio Critiques
      Portfolio
      Homework / Assignments
      Presentation / Jury
      2
      60
      Project
      1
      40
      Seminar / Workshop
      Oral Exams
      Midterm
      Final Exam
      Total

      Weighting of Semester Activities on the Final Grade
      3
      100
      Weighting of End-of-Semester Activities on the Final Grade
      Total

      ECTS / WORKLOAD TABLE

      Semester Activities Number Duration (Hours) Workload
      Theoretical Course Hours
      (Including exam week: 16 x total hours)
      16
      0
      Laboratory / Application Hours
      (Including exam week: '.16.' x total hours)
      16
      4
      64
      Study Hours Out of Class
      13
      2
      26
      Field Work
      0
      Quizzes / Studio Critiques
      0
      Portfolio
      0
      Homework / Assignments
      0
      Presentation / Jury
      2
      20
      40
      Project
      1
      20
      20
      Seminar / Workshop
      0
      Oral Exam
      0
      Midterms
      0
      Final Exam
      0
          Total
      150

       

      COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

      #
      Program Competencies/Outcomes
      * Contribution Level
      1
      2
      3
      4
      5
      1

      To be able to develop and design a collection independently.

      -
      -
      -
      -
      -
      2

      To be able to do maintain a design research individually or as a team.

      X
      -
      -
      -
      -
      3

      To be able to develop entrepreneurship- and managerial skills for a future professional practice.

      -
      -
      -
      -
      -
      4

      To be able to understand, interpret and apply theoretical knowledge in fashion and textile design.

      -
      X
      -
      -
      -
      5

      To be able to analyze and integrate the particular local and regional needs and of their profession.

      -
      -
      -
      -
      -
      6

      To be able to obtain a multidisciplinary point of view, follow and analyze the new issues, changes and trends in contemporary design and art in such a way that they can be integrated into design practice.

      X
      -
      -
      -
      -
      7

      To be able to apply industrial requirements, knowledge of material & usage and know-how knowledge in the creation of high quality fashion products.

      -
      X
      -
      -
      -
      8

      To be able to use digital information and communication technologies at a level that is adequate to the discipline of fashion and textile design.

      -
      -
      -
      -
      X
      9

      To be able to develop an ongoing analytical and professional approach to academic and design research.

      -
      -
      -
      -
      -
      10

      To be able to recognize the need and importance of a personal lifelong learning attitude towards their chosen area of interest.

      X
      -
      -
      -
      -
      11

      To be able to collect data in the areas of fashion and textile design and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1).

      -
      -
      -
      -
      -
      12

      To be able to speak a second foreign at a medium level of fluency efficiently.

      -
      -
      -
      -
      -
      13

      To be able to relate the knowledge accumulated throughout the human history to their field of expertise.

      -
      -
      -
      -
      -

      *1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest


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