
‘Art’ bridge from Izmir to Adıyaman
The Kommagene Biennial, considered one of Turkey's largest contemporary art events and organized under the theme of ‘healing’, was hosted ...
FACULTY OF FINE ARTS AND DESIGN
Department of Textile and Fashion DesignCourse Name |
Visual Merchandising
|
Code
|
Semester
|
Theory
(hour/week) |
Application/Lab
(hour/week) |
Local Credits
|
ECTS
|
FA 403
|
Fall/Spring
|
3
|
0
|
3
|
4
|
Prerequisites |
None
|
|||||
Course Language |
English
|
|||||
Course Type |
Elective
|
|||||
Course Level |
First Cycle
|
|||||
Mode of Delivery | face to face | |||||
Teaching Methods and Techniques of the Course | Group WorkCritical feedbackJuryField trip / ObservationLecture / Presentation | |||||
National Occupation Classification | - | |||||
Course Coordinator | - | |||||
Course Lecturer(s) | - | |||||
Assistant(s) |
Course Objectives | This course aims to give the fundamentals of visual merchandising with instruction in branding elements and interior designs in order to put fashion on commercial display. |
Learning Outcomes |
The students who succeeded in this course;
|
Course Description | This course prepares students for a professional design environment in terms of stationary retail design. The importance of correct product placement is explained along with store design and commercial marketing in terms of architecture. |
Related Sustainable Development Goals |
|
Core Courses | |
Major Area Courses | ||
Supportive Courses |
X
|
|
Media and Management Skills Courses | ||
Transferable Skill Courses |
Week | Subjects | Related Preparation |
1 | Intro to VM | |
2 | Brief ALTINYILDIZ | (2008) Olins, W. “The Brand Handbook” Thames & Hudson Ltd, London, UK 13-23 |
3 | Project “ALTINYILDIZ” | MARKET / COMPETITOR / TARGET / SPECIALISATION Analysis | (2008) Olins, W. “The Brand Handbook” Thames & Hudson Ltd, London, UK 13-23 |
4 | Project “ALTINYILDIZ” | LOGO and CI / OPENING CAMPAIGN MOODBOARD | (2008) Olins, W. “The Brand Handbook” Thames & Hudson Ltd, London, UK 24-55 |
5 | Project “ALTINYILDIZ” | 1. JURY Presentation 1 | (2008) Olins, W. “The Brand Handbook” Thames & Hudson Ltd, London, UK 56-100 |
6 | Project “ALTINYILDIZ” | Revision | (2006) Twemlow, A. “Grafik Tasarım Ne İçindir?” Yem Yayın, RotoVision Sa, Istanbul 01-022 |
7 | Project “ALTINYILDIZ” | Revision (and Window Display Prototype) + material list | (2008) "This is Visual Merchandising", Instituto Monsa de Ediciones 022-33 |
8 | Project “ALTINYILDIZ” | Revision (and Window Display Prototype) + material list budget | (2008) "This is Visual Merchandising", Instituto Monsa de Ediciones 10-54 |
9 | Project “ALTINYILDIZ” | 2. JURY Presentation 2 | (2008) Morgan, T. "Visual Merchandising: Windows and In Store Displays for Retail", Laurence King Publishers, UK intro |
10 | Project “ALTINYILDIZ” | Window Display 1 | (2008) Morgan, T. "Visual Merchandising: Windows and In Store Displays for Retail", Laurence King Publishers, UK 10-22 |
11 | Project “ALTINYILDIZ” | Window Display 2 | (2008) Morgan, T. "Visual Merchandising: Windows and In Store Displays for Retail", Laurence King Publishers, UK 45 -50 |
12 | Project “ALTINYILDIZ” | Window Display 3 | (2008) Morgan, T. "Visual Merchandising: Windows and In Store Displays for Retail", Laurence King Publishers, UK 60-65 |
13 | Project “ALTINYILDIZ” | FINAL JURY | (2008) Morgan, T. "Visual Merchandising: Windows and In Store Displays for Retail", Laurence King Publishers, UK 66-67 |
14 | Semester Review | |
15 | Semester Review | |
16 | Semester Review |
Course Notes/Textbooks | Morgan, T. (2008) "Visual Merchandising: Windows and In Store Displays for Retail", Laurence King Publishers, UK ISBN: 9781780676876 |
Suggested Readings/Materials | Apparel merchandising: The line starts here, Rosenau J.A., Wilson, D. ISBN: 9781609015398
Olins, W. (2008) “The Brand Handbook” Thames & Hudson Ltd, London ISBN 13: 9780500514085
Vogue runway current collections |
Semester Activities | Number | Weigthing |
Participation |
1
|
10
|
Laboratory / Application | ||
Field Work | ||
Quizzes / Studio Critiques | ||
Portfolio | ||
Homework / Assignments | ||
Presentation / Jury |
3
|
60
|
Project |
1
|
30
|
Seminar / Workshop | ||
Oral Exams | ||
Midterm | ||
Final Exam | ||
Total |
Weighting of Semester Activities on the Final Grade |
4
|
100
|
Weighting of End-of-Semester Activities on the Final Grade | ||
Total |
Semester Activities | Number | Duration (Hours) | Workload |
---|---|---|---|
Theoretical Course Hours (Including exam week: 16 x total hours) |
16
|
3
|
48
|
Laboratory / Application Hours (Including exam week: '.16.' x total hours) |
16
|
0
|
|
Study Hours Out of Class |
14
|
2
|
28
|
Field Work |
0
|
||
Quizzes / Studio Critiques |
0
|
||
Portfolio |
0
|
||
Homework / Assignments |
0
|
||
Presentation / Jury |
3
|
10
|
30
|
Project |
1
|
14
|
14
|
Seminar / Workshop |
0
|
||
Oral Exam |
0
|
||
Midterms |
0
|
||
Final Exam |
0
|
||
Total |
120
|
#
|
Program Competencies/Outcomes |
* Contribution Level
|
|||||
1
|
2
|
3
|
4
|
5
|
|||
1 |
To be able to develop and design a collection independently. |
-
|
-
|
-
|
-
|
-
|
|
2 |
To be able to do maintain a design research individually or as a team. |
-
|
X
|
-
|
-
|
-
|
|
3 |
To be able to develop entrepreneurship- and managerial skills for a future professional practice. |
X
|
-
|
-
|
-
|
-
|
|
4 |
To be able to understand, interpret and apply theoretical knowledge in fashion and textile design. |
-
|
-
|
X
|
-
|
-
|
|
5 |
To be able to analyze and integrate the particular local and regional needs and of their profession. |
-
|
-
|
-
|
-
|
-
|
|
6 |
To be able to obtain a multidisciplinary point of view, follow and analyze the new issues, changes and trends in contemporary design and art in such a way that they can be integrated into design practice. |
-
|
X
|
-
|
-
|
-
|
|
7 |
To be able to apply industrial requirements, knowledge of material & usage and know-how knowledge in the creation of high quality fashion products. |
-
|
-
|
-
|
-
|
-
|
|
8 |
To be able to use digital information and communication technologies at a level that is adequate to the discipline of fashion and textile design. |
-
|
X
|
-
|
-
|
-
|
|
9 |
To be able to develop an ongoing analytical and professional approach to academic and design research. |
-
|
-
|
-
|
-
|
-
|
|
10 |
To be able to recognize the need and importance of a personal lifelong learning attitude towards their chosen area of interest. |
-
|
-
|
-
|
-
|
-
|
|
11 |
To be able to collect data in the areas of fashion and textile design and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1). |
-
|
-
|
-
|
-
|
-
|
|
12 |
To be able to speak a second foreign at a medium level of fluency efficiently. |
-
|
-
|
-
|
-
|
-
|
|
13 |
To be able to relate the knowledge accumulated throughout the human history to their field of expertise. |
-
|
-
|
-
|
-
|
-
|
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest
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