FACULTY OF FINE ARTS AND DESIGN
Department of Textile and Fashion Design
FA 410 | Course Introduction and Application Information
| Course Name |
Design and Fabric Relation
|
|
Code
|
Semester
|
Theory
(hour/week) |
Application/Lab
(hour/week) |
Local Credits
|
ECTS
|
|
FA 410
|
Fall/Spring
|
2
|
2
|
3
|
4
|
| Prerequisites |
None
|
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| Course Language |
English
|
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| Course Type |
Elective
|
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| Course Level |
First Cycle
|
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| Mode of Delivery | - | |||||
| Teaching Methods and Techniques of the Course | - | |||||
| Course Coordinator | ||||||
| Course Lecturer(s) | ||||||
| Assistant(s) | - | |||||
| Course Objectives | The objective of this course is to introduce essential aspects of basic weaves and to weave fabric samples. |
| Learning Outcomes |
The students who succeeded in this course;
|
| Course Description | This course will provide essential knowledge to design basic woven fabrics. Moreover it will cover the preparation of a fabric swatch book consisted of designed fabrics. |
|
|
Core Courses | |
| Major Area Courses | ||
| Supportive Courses |
X
|
|
| Media and Management Skills Courses | ||
| Transferable Skill Courses |
WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES
| Week | Subjects | Related Preparation |
| 1 | Introduction | |
| 2 | Classifying textile fabrics Dying of cotton yarns. | Arthur Price- Allen C. Cohen, J.J.Pizzuto’s Fabric Science, USA 1994, Chapter 5 Hannelore Eberle-Hermann Hermeling-Marianne Hornberger-Dieter Menzer-Werner Ring, Clothing Technology (From fiber to Fashion), 1999 s.73-74. |
| 3 | Woven fabric manufacture, principle of weaving | Nuray Yılmaz, Elvan Anmaç (2000) Basit Yapılı Dokuma Örgüler, Dokuz Eylül Yayınları, İzmir 2000, p.8-10 Arthur Price- Allen C. Cohen, J.J.Pizzuto’s Fabric Science, USA 1994, Chapter 5 Hannelore Eberle-Hermann Hermeling-Marianne Hornberger-Dieter Menzer-Werner Ring, Clothing Technology (From fiber to Fashion), 1999 s.73-74. Hand loom |
| 4 | Drawing weaving layout: Plain weave and variations Weaving on a hand loom | Nuray Yılmaz, Elvan Anmaç (2000) Basit Yapılı Dokuma Örgüler, Dokuz Eylül Yayınları, İzmir 2000, p.26-27. Hannelore Eberle-Hermann Hermeling-Marianne Hornberger-Dieter Menzer-Werner Ring, Clothing Technology (From fiber to Fashion), 1999 s.74 |
| 5 | Weaving plain weave and variations Weaving on a hand loom | Nuray Yılmaz, Elvan Anmaç (2000) Basit Yapılı Dokuma Örgüler, Dokuz Eylül Yayınları, İzmir 2000, s.44-48. Hannelore Eberle-Hermann Hermeling-Marianne Hornberger-Dieter Menzer-Werner Ring, Clothing Technology (From fiber to Fashion), 1999 s.75 |
| 6 | Weaving plain weave and variations Weaving on a hand loom | Nuray Yılmaz, Elvan Anmaç (2000) Basit Yapılı Dokuma Örgüler, Dokuz Eylül Yayınları, İzmir 2000, p.44-48. Hannelore Eberle-Hermann Hermeling-Marianne Hornberger-Dieter Menzer-Werner Ring, Clothing Technology (From fiber to Fashion), 1999 s.75Hannelore Eberle-Hermann Hermeling-Marianne Hornberger-Dieter Menzer-Werner Ring, Clothing Technology (From fiber to Fashion), 1999 s.76 Hand loom |
| 7 | Drawing weaving layout: Twill weave and variations Weaving on a hand loom | Nuray Yılmaz, Elvan Anmaç (2000) Basit Yapılı Dokuma Örgüler, Dokuz Eylül Yayınları, İzmir 2000, s.28-34. Hannelore Eberle-Hermann Hermeling-Marianne Hornberger-Dieter Menzer-Werner Ring, Clothing Technology (From fiber to Fashion), 1999 s.77 |
| 8 | Weaving twill weave and variations Weaving on a hand loom | Nuray Yılmaz, Elvan Anmaç (2000) Basit Yapılı Dokuma Örgüler, Dokuz Eylül Yayınları, İzmir 2000, s.28-34, 60-78. Hannelore Eberle-Hermann Hermeling-Marianne Hornberger-Dieter Menzer-Werner Ring, Clothing Technology (From fiber to Fashion), 1999 s.77 |
| 9 | Midterm: Submission of fabric swatch book | |
| 10 | Plain weave: Warp and weft color variations | Nuray Yılmaz, Elvan Anmaç (2000) Basit Yapılı Dokuma Örgüler, Dokuz Eylül Yayınları, İzmir 2000, s.116-119. |
| 11 | Plain weave: Warp and weft color variations | Nuray Yılmaz, Elvan Anmaç (2000) Basit Yapılı Dokuma Örgüler, Dokuz Eylül Yayınları, İzmir 2000, s.120-121. |
| 12 | Twill weave: Warp and weft color variations | Nuray Yılmaz, Elvan Anmaç (2000) Basit Yapılı Dokuma Örgüler, Dokuz Eylül Yayınları, İzmir 2000, s.122-125. |
| 13 | Twill weave: Warp and weft color variations | Nuray Yılmaz, Elvan Anmaç (2000) Basit Yapılı Dokuma Örgüler, Dokuz Eylül Yayınları, İzmir 2000, s.122-125. |
| 14 | Preparation of final project swatch book | |
| 15 | Semester Review | |
| 16 | Review of the Semester |
| Course Notes/Textbooks | Nuray Yılmaz, Elvan Anmaç (2000) Basit Yapılı Dokuma Örgüler, Dokuz Eylül Yayınları, İzmir 2000, ISBN 975-6981-27-X |
| Suggested Readings/Materials | Arthur Price- Allen C. Cohen (1994) J.J.Pizzuto’s Fabric Science, USA 1994, 515S. ISBN 1-56367-004-6 Hannelore Eberle-Hermann Hermeling-Marianne Hornberger-Dieter Menzer-Werner Ring, Clothing Technology (From fiber to Fashion), 1999. ISBN 978-3-8085-6225-3 |
EVALUATION SYSTEM
| Semester Activities | Number | Weigthing |
| Participation |
1
|
10
|
| Laboratory / Application | ||
| Field Work | ||
| Quizzes / Studio Critiques | ||
| Portfolio | ||
| Homework / Assignments | ||
| Presentation / Jury | ||
| Project |
1
|
50
|
| Seminar / Workshop | ||
| Oral Exams | ||
| Midterm |
1
|
40
|
| Final Exam | ||
| Total |
| Weighting of Semester Activities on the Final Grade |
3
|
100
|
| Weighting of End-of-Semester Activities on the Final Grade | ||
| Total |
ECTS / WORKLOAD TABLE
| Semester Activities | Number | Duration (Hours) | Workload |
|---|---|---|---|
| Theoretical Course Hours (Including exam week: 16 x total hours) |
16
|
2
|
32
|
| Laboratory / Application Hours (Including exam week: '.16.' x total hours) |
16
|
2
|
32
|
| Study Hours Out of Class |
10
|
1
|
10
|
| Field Work |
0
|
||
| Quizzes / Studio Critiques |
0
|
||
| Portfolio |
0
|
||
| Homework / Assignments |
0
|
||
| Presentation / Jury |
0
|
||
| Project |
1
|
20
|
20
|
| Seminar / Workshop |
0
|
||
| Oral Exam |
0
|
||
| Midterms |
1
|
16
|
16
|
| Final Exam |
0
|
||
| Total |
110
|
COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP
|
#
|
Program Competencies/Outcomes |
* Contribution Level
|
||||
|
1
|
2
|
3
|
4
|
5
|
||
| 1 | To be able to develop and design a collection independently. |
X | ||||
| 2 | To be able to do maintain a design research individually or as a team. |
|||||
| 3 | To be able to develop entrepreneurship- and managerial skills for a future professional practice. |
|||||
| 4 | To be able to understand, interpret and apply theoretical knowledge in fashion and textile design. |
X | ||||
| 5 | To be able to analyze and integrate the particular local and regional needs and of their profession. |
X | ||||
| 6 | To be able to obtain a multidisciplinary point of view, follow and analyze the new issues, changes and trends in contemporary design and art in such a way that they can be integrated into design practice. |
|||||
| 7 | To be able to apply industrial requirements, knowledge of material & usage and know-how knowledge in the creation of high quality fashion products. |
X | ||||
| 8 | To be able to use digital information and communication technologies at a level that is adequate to the discipline of fashion and textile design. |
X | ||||
| 9 | To be able to develop an ongoing analytical and professional approach to academic and design research. |
X | ||||
| 10 | To be able to recognize the need and importance of a personal lifelong learning attitude towards their chosen area of interest. |
X | ||||
| 11 | To be able to collect data in the areas of fashion and textile design and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1). |
X | ||||
| 12 | To be able to speak a second foreign at a medium level of fluency efficiently. |
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| 13 | To be able to relate the knowledge accumulated throughout the human history to their field of expertise. |
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*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest
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