FA 410 | Course Introduction and Application Information - Department of Textile and Fashion Design

Course Name

Design and Fabric Relation

Code	Semester	Theory (hour/week)	Application/Lab (hour/week)	Local Credits	ECTS
FA 410	Fall/Spring	2	2	3	4

Prerequisites	None
Course Language	English
Course Type	Elective
Course Level	First Cycle
Mode of Delivery	-
Teaching Methods and Techniques of the Course	Q&A Critical feedback Application: Experiment / Laboratory / Workshop Lecture / Presentation
National Occupation Classification	-
Course Coordinator	Prof. Elvan ÖZKAVRUK ADANIR
Course Lecturer(s)	Prof. Elvan ÖZKAVRUK ADANIR
Assistant(s)	-

Course Objectives	The objective of this course is to introduce essential aspects of basic weaves and to weave fabric samples.
Learning Outcomes	The students who succeeded in this course; to define different types of woven fabrics. to weave plain and twill fabrics. to design a checkered fabric by using hand loom. to produce fabric samples by warp and weft color variations. to suggest proper end uses for the fabrics which they had woven.
Course Description	This course will provide essential knowledge to design basic woven fabrics. Moreover it will cover the preparation of a fabric swatch book consisted of designed fabrics.
Related Sustainable Development Goals

Course Category	Core Courses
	Major Area Courses
	Supportive Courses	X
	Media and Management Skills Courses
	Transferable Skill Courses

Week	Subjects	Related Preparation
1	Introduction
2	Classifying textile fabrics Dying of cotton yarns.	Arthur Price- Allen C. Cohen, J.J.Pizzuto’s Fabric Science, USA 1994, Chapter 5 Hannelore Eberle-Hermann Hermeling-Marianne Hornberger-Dieter Menzer-Werner Ring, Clothing Technology (From fiber to Fashion), 1999 s.73-74.
3	Woven fabric manufacture, principle of weaving	Nuray Yılmaz, Elvan Anmaç (2000) Basit Yapılı Dokuma Örgüler, Dokuz Eylül Yayınları, İzmir 2000, p.8-10 Arthur Price- Allen C. Cohen, J.J.Pizzuto’s Fabric Science, USA 1994, Chapter 5 Hannelore Eberle-Hermann Hermeling-Marianne Hornberger-Dieter Menzer-Werner Ring, Clothing Technology (From fiber to Fashion), 1999 s.73-74. Hand loom
4	Drawing weaving layout: Plain weave and variations Weaving on a hand loom	Nuray Yılmaz, Elvan Anmaç (2000) Basit Yapılı Dokuma Örgüler, Dokuz Eylül Yayınları, İzmir 2000, p.26-27. Hannelore Eberle-Hermann Hermeling-Marianne Hornberger-Dieter Menzer-Werner Ring, Clothing Technology (From fiber to Fashion), 1999 s.74
5	Weaving plain weave and variations Weaving on a hand loom	Nuray Yılmaz, Elvan Anmaç (2000) Basit Yapılı Dokuma Örgüler, Dokuz Eylül Yayınları, İzmir 2000, s.44-48. Hannelore Eberle-Hermann Hermeling-Marianne Hornberger-Dieter Menzer-Werner Ring, Clothing Technology (From fiber to Fashion), 1999 s.75
6	Weaving plain weave and variations Weaving on a hand loom	Nuray Yılmaz, Elvan Anmaç (2000) Basit Yapılı Dokuma Örgüler, Dokuz Eylül Yayınları, İzmir 2000, p.44-48. Hannelore Eberle-Hermann Hermeling-Marianne Hornberger-Dieter Menzer-Werner Ring, Clothing Technology (From fiber to Fashion), 1999 s.75Hannelore Eberle-Hermann Hermeling-Marianne Hornberger-Dieter Menzer-Werner Ring, Clothing Technology (From fiber to Fashion), 1999 s.76 Hand loom
7	Drawing weaving layout: Twill weave and variations Weaving on a hand loom	Nuray Yılmaz, Elvan Anmaç (2000) Basit Yapılı Dokuma Örgüler, Dokuz Eylül Yayınları, İzmir 2000, s.28-34. Hannelore Eberle-Hermann Hermeling-Marianne Hornberger-Dieter Menzer-Werner Ring, Clothing Technology (From fiber to Fashion), 1999 s.77
8	Weaving twill weave and variations Weaving on a hand loom	Nuray Yılmaz, Elvan Anmaç (2000) Basit Yapılı Dokuma Örgüler, Dokuz Eylül Yayınları, İzmir 2000, s.28-34, 60-78. Hannelore Eberle-Hermann Hermeling-Marianne Hornberger-Dieter Menzer-Werner Ring, Clothing Technology (From fiber to Fashion), 1999 s.77
9	Midterm: Submission of fabric swatch book
10	Plain weave: Warp and weft color variations	Nuray Yılmaz, Elvan Anmaç (2000) Basit Yapılı Dokuma Örgüler, Dokuz Eylül Yayınları, İzmir 2000, s.116-119.
11	Plain weave: Warp and weft color variations	Nuray Yılmaz, Elvan Anmaç (2000) Basit Yapılı Dokuma Örgüler, Dokuz Eylül Yayınları, İzmir 2000, s.120-121.
12	Twill weave: Warp and weft color variations	Nuray Yılmaz, Elvan Anmaç (2000) Basit Yapılı Dokuma Örgüler, Dokuz Eylül Yayınları, İzmir 2000, s.122-125.
13	Twill weave: Warp and weft color variations	Nuray Yılmaz, Elvan Anmaç (2000) Basit Yapılı Dokuma Örgüler, Dokuz Eylül Yayınları, İzmir 2000, s.122-125.
14	Preparation of final project swatch book
15	Semester Review
16	Review of the Semester

Course Notes/Textbooks

Nuray Yılmaz, Elvan Anmaç (2000) Basit Yapılı Dokuma Örgüler, Dokuz Eylül Yayınları, İzmir 2000, ISBN 975-6981-27-X

Suggested Readings/Materials

Arthur Price- Allen C. Cohen (1994) J.J.Pizzuto’s Fabric Science, USA 1994, 515S. ISBN 1-56367-004-6

Hannelore Eberle-Hermann Hermeling-Marianne Hornberger-Dieter Menzer-Werner Ring, Clothing Technology (From fiber to Fashion), 1999. ISBN 978-3-8085-6225-3

Semester Activities	Number	Weigthing
Participation
Laboratory / Application
Field Work
Quizzes / Studio Critiques	1	10
Portfolio	1	40
Homework / Assignments
Presentation / Jury	1	20
Project	1	30
Seminar / Workshop
Oral Exams
Midterm
Final Exam
Total

Weighting of Semester Activities on the Final Grade	4	100
Weighting of End-of-Semester Activities on the Final Grade
Total

Semester Activities	Number	Duration (Hours)	Workload
Theoretical Course Hours (Including exam week: 16 x total hours)	16	2	32
Laboratory / Application Hours (Including exam week: '.16.' x total hours)	16	2	32
Study Hours Out of Class	14	1	14
Field Work			0
Quizzes / Studio Critiques	1	5	5
Portfolio	1	15	15
Homework / Assignments			0
Presentation / Jury	1	10	10
Project	1	12	12
Seminar / Workshop			0
Oral Exam			0
Midterms			0
Final Exam			0
		Total	120

#	Program Competencies/Outcomes	* Contribution Level
#	Program Competencies/Outcomes	1	2	3	4	5
1	To be able to develop and design a collection independently.	-	-	X	-	-
2	To be able to do maintain a design research individually or as a team.	-	X	-	-	-
3	To be able to develop entrepreneurship- and managerial skills for a future professional practice.	-	-	-	-	-
4	To be able to understand, interpret and apply theoretical knowledge in fashion and textile design.	-	-	X	-	-
5	To be able to analyze and integrate the particular local and regional needs and of their profession.	-	-	-	-	-
6	To be able to obtain a multidisciplinary point of view, follow and analyze the new issues, changes and trends in contemporary design and art in such a way that they can be integrated into design practice.	-	X	-	-	-
7	To be able to apply industrial requirements, knowledge of material & usage and know-how knowledge in the creation of high quality fashion products.	-	-	-	-	-
8	To be able to use digital information and communication technologies at a level that is adequate to the discipline of fashion and textile design.	-	-	-	-	-
9	To be able to develop an ongoing analytical and professional approach to academic and design research.	-	-	-	-	-
10	To be able to recognize the need and importance of a personal lifelong learning attitude towards their chosen area of interest.	-	-	-	-	-
11	To be able to collect data in the areas of fashion and textile design and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1).	-	-	-	-	-
12	To be able to speak a second foreign at a medium level of fluency efficiently.	-	-	-	-	-
13	To be able to relate the knowledge accumulated throughout the human history to their field of expertise.	-	-	-	-	-