FACULTY OF FINE ARTS AND DESIGN
Department of Textile and Fashion DesignCourse Name |
Production Processes in Fashion Industry
|
Code
|
Semester
|
Theory
(hour/week) |
Application/Lab
(hour/week) |
Local Credits
|
ECTS
|
FB 301
|
Fall
|
2
|
2
|
3
|
6
|
Prerequisites |
None
|
|||||
Course Language |
English
|
|||||
Course Type |
Required
|
|||||
Course Level |
First Cycle
|
|||||
Mode of Delivery | face to face | |||||
Teaching Methods and Techniques of the Course | Case StudyQ&AField trip / ObservationLecture / Presentation | |||||
National Occupation Classification | - | |||||
Course Coordinator | ||||||
Course Lecturer(s) | ||||||
Assistant(s) | - |
Course Objectives | The objective of this course is to develop knowledge about terminology, production techniques, and processes in the fashion industry, and current trends on the production/ manufacturing side. |
Learning Outcomes |
The students who succeeded in this course;
|
Course Description | This course encompasses the production process in the fashion industry from creating a collection or customer order to packaging and shipping. The course provides students with the know-how of the structure and the other related sectors in the fashion/ apparel industry and production concepts. Also, this course introduces the current approaches in the fashion industry and apparel production in line with technological innovations and the ethical production frame. |
Related Sustainable Development Goals |
|
Core Courses | |
Major Area Courses |
X
|
|
Supportive Courses | ||
Media and Management Skills Courses | ||
Transferable Skill Courses |
Week | Subjects | Related Preparation |
1 | Introduction to course & terminology of apparel industry | *Glock, Ruth E. & Kunz Grace I. (2005). Apparel Manufacturing: Sewn Products Analysis, 4th Ed. Prentice Hall. |
2 | Apparel Industry - types of products and organization | *Glock, Ruth E. & Kunz Grace I. (2005). Apparel Manufacturing: Sewn Products Analysis, 4th Ed. Prentice Hall. |
3 | Organization of apparel factory | *Glock, Ruth E. & Kunz Grace I. (2005). Apparel Manufacturing: Sewn Products Analysis, 4th Ed. Prentice Hall. |
4 | Field Trip 1 | |
5 | Materials and sub-materials used in apparel production / Field Trip 1 Report Submission | *Leslie Davis Burns, Kathy K. Mullet (2020), The Business of Fashion Designing, Manufacturing, and Marketing, ISBN:9781501349126 |
6 | Pre-production process - cutting planning, marker preparation, spreading, cutting | *Glock, Ruth E. & Kunz Grace I. (2005). Apparel Manufacturing: Sewn Products Analysis, 4th Ed. Prentice Hall. Pg… *Jelka Geršak (2022), Design of Clothing Manufacturing Processes: A Systematic Approach to Developing, Planning, and Control, Elsevier Science, ISBN:9780081027721 |
7 | Field Trip 2 | |
8 | Production Assembly/ Sewing, Pressing, Garment Finishing / Field Trip 2 Report Submission | *Glock, Ruth E. & Kunz Grace I. (2005). Apparel Manufacturing: Sewn Products Analysis, 4th Ed. Prentice Hall. Pg… *Jelka Geršak (2022), Design of Clothing Manufacturing Processes: A Systematic Approach to Developing, Planning, and Control, Elsevier Science, ISBN:9780081027721 |
9 | MIDTERM WEEK | |
10 | Field Trip 3 | |
11 | Apparel Analysis and Cost Calculation / Field Trip 3 Report Submission | * Ailie K. Y. Tang, Amy C. Y. Yip, Chun-Hung Chiu, Pui-Sze Chow (2017), Contemporary Case Studies on Fashion Production, Marketing and Operations |
12 | Current and Future Trends, Sustainability Concerns / Final Project Brief | *Ailie K. Y. Tang, Amy C. Y. Yip, Chun-Hung Chiu, Pui-Sze Chow (2017), Contemporary Case Studies on Fashion Production, Marketing and Operations |
13 | Student projects - Discussions | |
14 | Student projects - Discussions | |
15 | Review of semester / Student Presentations | |
16 | Review of semester |
Course Notes/Textbooks | |
Suggested Readings/Materials |
WEB: https://www.businessoffashion.com/ (you can create an account as “student” and reach the articles, news and podcasts free) |
Semester Activities | Number | Weigthing |
Participation |
1
|
10
|
Laboratory / Application | ||
Field Work | ||
Quizzes / Studio Critiques | ||
Portfolio | ||
Homework / Assignments |
1
|
45
|
Presentation / Jury |
1
|
15
|
Project |
1
|
30
|
Seminar / Workshop | ||
Oral Exams | ||
Midterm | ||
Final Exam | ||
Total |
Weighting of Semester Activities on the Final Grade |
4
|
100
|
Weighting of End-of-Semester Activities on the Final Grade | ||
Total |
Semester Activities | Number | Duration (Hours) | Workload |
---|---|---|---|
Theoretical Course Hours (Including exam week: 16 x total hours) |
16
|
2
|
32
|
Laboratory / Application Hours (Including exam week: '.16.' x total hours) |
16
|
2
|
32
|
Study Hours Out of Class |
14
|
1
|
14
|
Field Work |
0
|
||
Quizzes / Studio Critiques |
0
|
||
Portfolio |
0
|
||
Homework / Assignments |
3
|
18
|
54
|
Presentation / Jury |
1
|
20
|
20
|
Project |
1
|
28
|
28
|
Seminar / Workshop |
0
|
||
Oral Exam |
0
|
||
Midterms |
0
|
||
Final Exam |
0
|
||
Total |
180
|
#
|
Program Competencies/Outcomes |
* Contribution Level
|
|||||
1
|
2
|
3
|
4
|
5
|
|||
1 |
To be able to develop and design a collection independently. |
-
|
-
|
-
|
-
|
-
|
|
2 |
To be able to do maintain a design research individually or as a team. |
-
|
-
|
-
|
X
|
-
|
|
3 |
To be able to develop entrepreneurship- and managerial skills for a future professional practice. |
-
|
-
|
-
|
X
|
-
|
|
4 |
To be able to understand, interpret and apply theoretical knowledge in fashion and textile design. |
-
|
-
|
-
|
-
|
-
|
|
5 |
To be able to analyze and integrate the particular local and regional needs and of their profession. |
-
|
X
|
-
|
-
|
-
|
|
6 |
To be able to obtain a multidisciplinary point of view, follow and analyze the new issues, changes and trends in contemporary design and art in such a way that they can be integrated into design practice. |
-
|
-
|
-
|
-
|
-
|
|
7 |
To be able to apply industrial requirements, knowledge of material & usage and know-how knowledge in the creation of high quality fashion products. |
-
|
-
|
-
|
-
|
-
|
|
8 |
To be able to use digital information and communication technologies at a level that is adequate to the discipline of fashion and textile design. |
-
|
-
|
-
|
-
|
-
|
|
9 |
To be able to develop an ongoing analytical and professional approach to academic and design research. |
-
|
X
|
-
|
-
|
-
|
|
10 |
To be able to recognize the need and importance of a personal lifelong learning attitude towards their chosen area of interest. |
-
|
-
|
X
|
-
|
-
|
|
11 |
To be able to collect data in the areas of fashion and textile design and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1). |
-
|
-
|
-
|
-
|
-
|
|
12 |
To be able to speak a second foreign at a medium level of fluency efficiently. |
-
|
-
|
-
|
-
|
-
|
|
13 |
To be able to relate the knowledge accumulated throughout the human history to their field of expertise. |
-
|
-
|
-
|
-
|
-
|
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest
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