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FACULTY OF FINE ARTS AND DESIGN

Department of Textile and Fashion Design

FD 302 | Course Introduction and Application Information

Course Name
Fashion Design Studio: Collection III
Code
Semester
Theory
(hour/week)
Application/Lab
(hour/week)
Local Credits
ECTS
FD 302
Spring
2
6
5
10

Prerequisites
None
Course Language
English
Course Type
Required
Course Level
First Cycle
Mode of Delivery face to face
Teaching Methods and Techniques of the Course Discussion
Problem Solving
Critical feedback
Jury
Field trip / Observation
Application: Experiment / Laboratory / Workshop
Lecture / Presentation
Course Coordinator
Course Lecturer(s)
Assistant(s)
Course Objectives The course prepares a ground for designing a sustainable and responsible fashion collection and production of looks for contemporary fashion design market in accordance with the current issues in society and cultural, social, economic and ethical considerations in fashion industry.
Learning Outcomes The students who succeeded in this course;
  • discuss and compare social, cultural, artistic, economic and ethical issues in fashion industry
  • propose innovative and sustainable design concepts in accordance with current issues in fashion industry.
  • design a collection in accordance with a market research, material analysis and production methodologies in fashion industry
  • create and manufacture fashion designs in the direction of sustainable, responsible and slow fashion culture
  • enhance and improve dress making techniques, manufacturing and handcrafts skills in order to execute experimental unique designs.
  • present design collections and manufactured looks through the use of professional presentation techniques.
Course Description Along with a series of seminars and lectures on sustainable and responsible fashion, the course focuses on developing an innovative and experimental fashion design collection based on a research regarding the current needs and functions of clothing in society and in the fashion system.

 



Course Category

Core Courses
Major Area Courses
X
Supportive Courses
Media and Management Skills Courses
Transferable Skill Courses

 

WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

Week Subjects Related Preparation
1 20.02. Introduction of the course, syllabus, and course materials Documentary Screening 23.02. PROJECT 1: Denim Couture │ Introduction Design Research and Concept Development: Identifying Key Visuals, Concepts and Color Palette Studio Critique 1 │ Concept Board Farley, G. K., Farley, J., & Hill, C. (2014). Sustainable fashion: Past, present and future. Berg. ISBN: 978-0-8578-5185-7, p. xv-xix. Gwilt, A. (2014). A practical guide to sustainable fashion. Fairchild Books. ISBN: 978-1-3500-6704-2, p.1-22. Kipoz, S. (2020). Slowness in fashion. Dixi Books Publishing OOD. ISBN: 978-619-7458-23-7, p. 85-100. Kipöz, Ş. (2021). Sürdürülebilir Moda. Yeni İnsan Yayınevi. ISBN: 978-605-5895-67-9, p. 61-98. Gwilt, A., Payne, A., & Ruthschilling, E. A. (Eds.). (2019). Global perspectives on sustainable fashion. Bloomsbury Visual Arts. ISBN: 9 78-1-3500-5813-2, p.164-173.
2 27.02. Studio Critique 2 │ Collection Development 01.03. Studio Critique 3 │ Material Research and Fabric Manipulations Farley, G. K., Farley, J., & Hill, C. (2014). Sustainable fashion: Past, present and future. Berg. ISBN: 978-0-8578-5185-7, p. 1-30. Gwilt, A. (2014). A practical guide to sustainable fashion. Fairchild Books. ISBN: 978-1-3500-6704-2, p.141-162. Hopkins, J. (2009). Basics fashion design 05: Fashion drawing. AVA Publishing. ISBN: 978-2-940411-15-3, p. 48-77. Iiduka, S. (2021). Sashiko for making & mending: 15 Simple Japanese embroidery projects. Tuttle Publishing. ISBN: 978-0804853859. Mbonu, E. (2014). Fashion Design Research. Laurence King Publishing. ISBN: 978-1-78067-179-6. Renfrew, E., & Renfrew, C. (2009). Basics Fashion Design 04: Developing a Collection. AVA Publishing. ISBN: 978-2-940373-95-6, p.10-51. Udale, J. (2008). Basics Fashion Design 02: Textiles and Fashion. AVA Publishing. ISBN: 978-2-940373-64-2, p. 24-35, 88-109.
3 05-08.03. Studio Critique 4 │Technical Drawings Fischer, A. (2008). Basics Fashion Design 03: Construction. AVA Publishing. ISBN: 978-2-940373-75-8. Kiisel, K. (2013). Draping: The complete course. Laurence King Publishing. ISBN: 978 1 78067 093 5. Rissanen, T., & McQuillan, H. (2018). Zero waste fashion design. Bloomsbury Visual Arts. ISBN: 978-1-4725-8198-3. Szkutnicka, B. (2017). Flats: Technical drawing for fashion, second edition: A complete guide. Laurence King. ISBN: 978-1780678375, p.184-216.
4 12-15.03. Studio Critique 5 │Product Development Fischer, A. (2008). Basics Fashion Design 03: Construction. AVA Publishing. ISBN: 978-2-940373-75-8. Kiisel, K. (2013). Draping: The complete course. Laurence King Publishing. ISBN: 978 1 78067 093 5. Rissanen, T., & McQuillan, H. (2018). Zero waste fashion design. Bloomsbury Visual Arts. ISBN: 978-1-4725-8198-3. Szkutnicka, B. (2017). Flats: Technical drawing for fashion, second edition: A complete guide. Laurence King. ISBN: 978-1780678375, p.184-216.
5 19-22.03. Studio Critique 5 │ Product Development (cont.) Fischer, A. (2008). Basics Fashion Design 03: Construction. AVA Publishing. ISBN: 978-2-940373-75-8. Kiisel, K. (2013). Draping: The complete course. Laurence King Publishing. ISBN: 978 1 78067 093 5. Rissanen, T., & McQuillan, H. (2018). Zero waste fashion design. Bloomsbury Visual Arts. ISBN: 978-1-4725-8198-3. Szkutnicka, B. (2017). Flats: Technical drawing for fashion, second edition: A complete guide. Laurence King. ISBN: 978-1780678375, p.184-216.
6 26.03. Field Trip: Sustainable Denim Production 29.03. Collection Presentation and Communication: Presentation Board + Styling + Photo Shooting Buckley, C., & McAssey, J. (2011). Basics Fashion Design 08: Styling. AVA Publishing. ISBN: 978-2940411399, p.112-149. Muthu, S. S. (Ed.). (2017). Sustainability in Denim. Woodhead Publishing. ISBN: 9 78-0-08-102043-2, p. 27-48. Paul, R. (Ed.). (2015). Denim: Manufacture, Finishing and Applications. Woodhead Publishing. ISBN: 978-0-85709-843-6, p. 191-218. Trynka, P., & Marsh, G. (2005). Denim: A visual history of the world’s most legendary fabric (2nd ed.). Aurum Press. ISBN: 1 84513 111 8, p. 80-119.
7 02.04. PROJECT 1: Denim Couture │ Midterm Exam 05.04. PROJECT 2: Sustainable Knitwear Collection │ Introduction Studio Critique 6 │ Design Research and Concept Development: Concept Board + Market Level Board + Customer Profile Board Mbonu, E. (2014). Fashion Design Research. Laurence King Publishing. ISBN: 978-1-78067-179-6. Udale, J. (2014). Fashion Knitwear. Laurence King Publishing. ISBN: 978-1-78067-343-1. Udale, J. (2014b). Textiles and Fashion: Exploring printed textiles, knitwear, embroidery, menswear and womenswear (2nd ed.). AVA Publishing. ISBN: 978-2-9404-4768-8. Sissons, J. (2018). Knitwear: An introduction to contemporary design (2nd ed.). Bloomsbury Visual Arts. ISBN: 978-1-4742-5174-7.
8 09.04. EVE OF RAMADAN HOLIDAY 12.04. RAMADAN HOLIDAY
9 16.04. Studio Critique 7 │Collection Development 19.04. Studio Critique 8 │Material Research and Fabric Manipulations/Surface Designs Fletcher, K. (2012). Fashion and Sustainability: Design for Change. London, England: Laurence King Publishing.ISBN: 978 1 85669 754 5, p. 12-32. Gullingsrud, A. (2017). Fashion fibers: Designing for sustainability. Bloomsbury Academic. ISBN: 978-1-5013-0664-8. Gwilt, A. (2014). A practical guide to sustainable fashion. Fairchild Books. ISBN: 978-1-3500-6704-2, p.47-51. Hopkins, J. (2009). Basics fashion design 05: Fashion drawing. AVA Publishing. ISBN: 978-2-940411-15-3. p. 78-95. Renfrew, E., & Renfrew, C. (2009). Basics Fashion Design 04: Developing a Collection. AVA Publishing. ISBN: 978-2-940373-95-6, p.10-51. Udale, J. (2014b). Textiles and Fashion: Exploring printed textiles, knitwear, embroidery, menswear and womenswear (2nd ed.). AVA Publishing. ISBN: 978-2-9404-4768-8, p. 104-133, 156-189.
10 23.04. NATIONAL SOVEREIGNTY AND CHILDREN'S HOLIDAY 26.04. Studio Critique 9 │Range Plan 27.04. Make-up Class: Range Plan (cont.) Hopkins, J. (2009). Basics fashion design 05: Fashion drawing. AVA Publishing. ISBN: 978-2-940411-15-3, p. 78-95. Renfrew, E., & Renfrew, C. (2009). Basics Fashion Design 04: Developing a Collection. AVA Publishing. ISBN: 978-2-940373-95-6, p.138-159.
11 30.04. Range Plan (cont.) 03.05. Studio Critique 10 │ Look 1 - Product Development 04.05. Make-up Class: Look 1 - Product Development (cont.) Udale, J. (2014b). Textiles and Fashion: Exploring printed textiles, knitwear, embroidery, menswear and womenswear (2nd ed.). AVA Publishing. ISBN: 978-2-9404-4768-8, s. 156-189. Rissanen, T., & McQuillan, H. (2018). Zero waste fashion design. Bloomsbury Visual Arts. ISBN: 978-1-4725-8198-3.
12 07-10.05. Look 1- Product Development (cont.) Udale, J. (2014b). Textiles and Fashion: Exploring printed textiles, knitwear, embroidery, menswear and womenswear (2nd ed.). AVA Publishing. ISBN: 978-2-9404-4768-8, s. 156-189. Rissanen, T., & McQuillan, H. (2018). Zero waste fashion design. Bloomsbury Visual Arts. ISBN: 978-1-4725-8198-3.
13 14-17.05. Studio Critique 11 │ Look 2 - Product Development Udale, J. (2014b). Textiles and Fashion: Exploring printed textiles, knitwear, embroidery, menswear and womenswear (2nd ed.). AVA Publishing. ISBN: 978-2-9404-4768-8, s. 156-189. Rissanen, T., & McQuillan, H. (2018). Zero waste fashion design. Bloomsbury Visual Arts. ISBN: 978-1-4725-8198-3.
14 21-24.05. Look 2 - Product Development (cont.) Udale, J. (2014b). Textiles and Fashion: Exploring printed textiles, knitwear, embroidery, menswear and womenswear (2nd ed.). AVA Publishing. ISBN: 978-2-9404-4768-8, s. 156-189. Rissanen, T., & McQuillan, H. (2018). Zero waste fashion design. Bloomsbury Visual Arts. ISBN: 978-1-4725-8198-3.
15 28.05. Studio Critique 12 │Pre-Jury Evaluation 31.05. Collection Presentation and Communication: Presentation Board + Styling + Photo Shooting Buckley, C., & McAssey, J. (2011). Basics Fashion Design 08: Styling. AVA Publishing. ISBN: 978-2940411399, p.112-149.
16 Review of the semester/ FINAL JURY PRESENTATION

 

Course Notes/Textbooks

There is no required textbook for the course.
Suggested Readings/Materials

Buckley, C., & McAssey, J. (2011). Basics Fashion Design 08: Styling. AVA Publishing. ISBN: 978-2940411399.

Farley, G. K., Farley, J., & Hill, C. (2014). Sustainable fashion: Past, present and future. Berg. ISBN: 978-0-8578-5185-7.

Fischer, A. (2008). Basics Fashion Design 03: Construction. AVA Publishing. ISBN: 978-2-940373-75-8.

Fletcher, K. (2012). Fashion and Sustainability: Design for Change. London, England: Laurence King Publishing.ISBN: 978 1 85669 754 5.

Gullingsrud, A. (2017). Fashion fibers: Designing for sustainability. Bloomsbury Academic. ISBN: 978-1-5013-0664-8.

Gwilt, A. (2014). A practical guide to sustainable fashion. Fairchild Books.  ISBN: 978-1-3500-6704-2.

Gwilt, A., Payne, A., & Ruthschilling, E. A. (Eds.). (2019). Global perspectives on sustainable fashion. Bloomsbury Visual Arts. ISBN: 978-1-3500-5813-2.

Hopkins, J. (2009). Basics fashion design 05: Fashion drawing. AVA Publishing. ISBN: 978-2-940411-15-3.

Iiduka, S. (2021). Sashiko for making & mending: 15 Simple Japanese embroidery projects. Tuttle Publishing. ISBN: 978-0804853859.

Kiisel, K. (2013). Draping: The complete course. Laurence King Publishing. ISBN: 978 1 78067 093 5.

Kipöz, Ş. (2020). Slowness in fashion. Dixi Books Publishing OOD. ISBN: 978-619-7458-23-7.

Kipöz, Ş. (2021). Sürdürülebilir Moda. Yeni İnsan Yayınevi. ISBN: 978-605-5895-67-9.

Mbonu, E. (2014). Fashion Design Research. Laurence King Publishing. ISBN: 978-1-78067-179-6.

Muthu, S. S. (Ed.). (2017). Sustainability in Denim. Woodhead Publishing. ISBN: 9 78-0-08-102043-2.

Paul, R. (Ed.). (2015). Denim: Manufacture, Finishing and Applications. Woodhead Publishing. ISBN: 978-0-85709-843-6.

Renfrew, E., & Renfrew, C. (2009). Basics Fashion Design 04: Developing a Collection. AVA Publishing. ISBN: 978-2-940373-95-6.

Rissanen, T., & McQuillan, H. (2018). Zero waste fashion design. Bloomsbury Visual Arts. ISBN: 978-1-4725-8198-3.

Sissons, J. (2018). Knitwear: An introduction to contemporary design (2nd ed.). Bloomsbury Visual Arts. ISBN: 978-1-4742-5174-7.

Szkutnicka, B. (2017). Flats: Technical drawing for fashion, second edition: A complete guide. Laurence King. ISBN: 978-1780678375.

Trynka, P., & Marsh, G. (2005). Denim: A visual history of the world’s most legendary fabric (2nd ed.). Aurum Press. ISBN: 1 84513 111 8.

Udale, J. (2008). Basics Fashion Design 02: Textiles and Fashion. AVA Publishing. ISBN: 978-2-940373-64-2.

Udale, J. (2014). Fashion Knitwear. Laurence King Publishing. ISBN: 978-1-78067-343-1.

Udale, J. (2014b). Textiles and Fashion: Exploring printed textiles, knitwear, embroidery, menswear and womenswear (2nd ed.). AVA Publishing. ISBN: 978-2-9404-4768-8.

 

EVALUATION SYSTEM

Semester Activities Number Weigthing
Participation
Laboratory / Application
Field Work
Quizzes / Studio Critiques
12
60
Portfolio
Homework / Assignments
Presentation / Jury
1
25
Project
Seminar / Workshop
-
Oral Exams
Midterm
1
15
Final Exam
Total

Weighting of Semester Activities on the Final Grade
14
100
Weighting of End-of-Semester Activities on the Final Grade
Total

ECTS / WORKLOAD TABLE

Semester Activities Number Duration (Hours) Workload
Theoretical Course Hours
(Including exam week: 16 x total hours)
16
2
32
Laboratory / Application Hours
(Including exam week: '.16.' x total hours)
16
6
96
Study Hours Out of Class
14
3
42
Field Work
0
Quizzes / Studio Critiques
12
7
84
Portfolio
0
Homework / Assignments
0
Presentation / Jury
1
25
25
Project
0
Seminar / Workshop
-
-
0
Oral Exam
0
Midterms
1
21
21
Final Exam
0
    Total
300

 

COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

#
 Program Competencies/Outcomes
* Contribution Level
1
2
3
4
5
1

To be able to develop and design a collection independently.

 X
2

To be able to do maintain a design research individually or as a team.

 X
3

To be able to develop entrepreneurship- and managerial skills for a future professional practice.

 X
4

To be able to understand, interpret and apply theoretical knowledge in fashion and textile design.

 X
5

To be able to analyze and integrate the particular local and regional needs and of their profession.

 X
6

To be able to obtain a multidisciplinary point of view, follow and analyze the new issues, changes and trends in contemporary design and art in such a way that they can be integrated into design practice.

 X
7

To be able to apply industrial requirements, knowledge of material & usage and know-how knowledge in the creation of high quality fashion products.

 X
8

To be able to use digital information and communication technologies at a level that is adequate to the discipline of fashion and textile design.

 X
9

To be able to develop an ongoing analytical and professional approach to academic and design research.

 X
10

To be able to recognize the need and importance of a personal lifelong learning attitude towards their chosen area of interest.
11

To be able to collect data in the areas of fashion and textile design and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1).
12

To be able to speak a second foreign at a medium level of fluency efficiently.
13

To be able to relate the knowledge accumulated throughout the human history to their field of expertise.

*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest

 

NEWS |ALL NEWS

They redesigned waste denim fabrics

They redesigned waste denim fabrics

Students of Izmir University of Economics (IUE) Department of Textile and Fashion Design prepared stylish and eco-friendly designs by reusing waste denim

Detail

Detail
Industry Leaders Met at the 'Clean Leather' Event

Industry Leaders Met at the 'Clean Leather' Event

Izmir University of Economics (IUE) Faculty of Fine Arts and Design and Izmir Chamber of Commerce Leather Apparel and Saddlery Group organized

Detail
The young fashion designer made it to the finals in Italy

The young fashion designer made it to the finals in Italy

Mert Serbest (27), a graduate of the Department of Textile and Fashion Design, Izmir University of Economics (IUE), has reached the finals

Detail
Childhood dream brought first prize

Childhood dream brought first prize

The first prize went to Izmir University of Economics (IEU) once again at the 14th Wedding Dress Design Contest held this year within

Detail
Childhood dream brought first prize

Childhood dream brought first prize

The first prize went to Izmir University of Economics (IEU) once again at the 14th Wedding Dress Design Contest held this year within

Detail
‘Shirt Cycle’ ranks first in Turkey

‘Shirt Cycle’ ranks first in Turkey

Assoc. Prof. Dr. Şölen Kipöz from Izmir University of Economics (IUE) Department of Textile and Fashion Design and İpek Karatop, who graduated

Detail
Steampunk fashion

Steampunk fashion

The Steampunk movement, which was founded in England in the 19th century and expresses the science fiction universe, became a source of

Detail
Izmir University of Economics
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Izmir Chamber of Commerce Health and Education Foundation.
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Sakarya Street No:156
35330 Balçova - İzmir / Turkey

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