FD 303 | Course Introduction and Application Information - Department of Textile and Fashion Design

Course Name

Textile Studio

Code	Semester	Theory (hour/week)	Application/Lab (hour/week)	Local Credits	ECTS
FD 303	Fall	0	4	2	3

Prerequisites	None
Course Language	English
Course Type	Required
Course Level	First Cycle
Mode of Delivery	-
Teaching Methods and Techniques of the Course	Q&A Critical feedback Application: Experiment / Laboratory / Workshop Practical demonstration Lecture / Presentation
National Occupation Classification	-
Course Coordinator	Öğr. Gör. Begüm YAZAR
Course Lecturer(s)	Öğr. Gör. Begüm YAZAR
Assistant(s)	-

Course Objectives	The aim of this course is to give basic information about textile surface designs with different techniques.
Learning Outcomes	The students who succeeded in this course; will be able to describe basic resist dyeing techniques. will be able to use block printing and screen-printing techniques. will be able to apply their original designs as monochrome and two-color piece prints. will be able to prepare the repeat of the selected pattern. will be able to apply the selected pattern in the form of repeat print. will be able to propose a right end use for their design.
Course Description	This course covers different fabric manipulation techniques and applications used in fashion design.
Related Sustainable Development Goals

Course Category	Core Courses
	Major Area Courses	X
	Supportive Courses
	Media and Management Skills Courses
	Transferable Skill Courses

Week	Subjects	Related Preparation
1	Introduction
2	Preparation and application of block printing molds	Mary Schoeser, World Textiles: A Concise History, Thames and Hudson, 2003,ISBN-10: 0500203695, s 179-182 5000 Years of Textiles Ed. Jennifer Harris,1993, Bristish Museum Press,ISBN-10: 0714117153 . s..39 Jane Dunnewold, Art Cloth: A Guide to Surface Design For Fabric, Interweave Press 2008, ISBN-10: 1596681950 s.52-65 Repeat Pattern, Thames and Hudson, 1993, ISBN 10:0500276870,p.24,26,27,58,59,86,87,111,119,140 Mary Schoeser, World Textiles: A Concise History, Thames and Hudson, 2003,ISBN-10: 0500203695, s 179-182 5000 Years of Textiles Ed. Jennifer Harris,1993, Bristish Museum Press,ISBN-10: 0714117153 . s..39 Jane Dunnewold, Art Cloth: A Guide to Surface Design For Fabric, Interweave Press 2008, ISBN-10: 1596681950 s.52-65 Repeat Pattern, Thames and Hudson, 1993, ISBN 10:0500276870,p.24,26,27,58,59,86,87,111,119,140
3	Application of block printing	Angela Völker, Textiles of The Wiener WerkstatteThames and Hudson, 2004,ISBN-13: 978-0500285183,s.35,36,83,137 John Gillow and Bryan Sentance, World Textiles, 1994, ISBN 10: 0500282471 , p.110 Sırrı Demirci, Elvan Yazmalar Diyarı Tokat, Tokat Belediyesi, 2016, s.189-230
4	Classification and presentation of fabric manipulation techniques (tieying/folding resist dyeing techniques	Jane Dunnewold, Art Cloth: A Guide to Surface Design For Fabric, Interweave Press 2008,s.90-97 ISBN-10: 1596681950. Linda F. Megehee, Creating Texture With Textiles, Krause Publications 1998, ISBN-13: 978-0873416573 s.22-26 Alison J.Reid Stich Magic, 102 John Gillow and Bryan Sentance, World Textiles, 1994, ISBN 13: 9780500282472. p.122-127 Shaping and Heat-setting synthetic fabric, 2011, http://krex.ksu.edu, 31-41 Kate Wells, Fabric Dyeing&Printing,Conran,1997, ISBN-10: 1850298661; s.125
5	Stitching / Beading Reserve Dyeing Techniques	Jane Dunnewold, Art Cloth: A Guide to Surface Design For Fabric, Interweave Press 2008,s.90-97 ISBN-10: 1596681950. Linda F. Megehee, Creating Texture With Textiles, Krause Publications 1998, ISBN-13: 978-0873416573 s.22-26 Alison J.Reid Stich Magic, 102 John Gillow and Bryan Sentance, World Textiles, 1994, ISBN 13: 9780500282472. p.122-127 Shaping and Heat-setting synthetic fabric, 2011, http://krex.ksu.edu, 31-41 Kate Wells, Fabric Dyeing&Printing,Conran,1997, ISBN-10: 1850298661; s.125
6	Wraping Reserve Dyeing techniques	Mandy Southan, Shibori (Design&Techniques) ISBN-978-1-84448-269-6 2008,28,50
7	A product will be created by combining learned techniques (Color, pattern, decoration and function will be considered)	Jane Dunnewold, Art Cloth: A Guide to Surface Design For Fabric, Interweave Press 2008,s.90-97 ISBN-10: 1596681950. Linda F. Megehee, Creating Texture With Textiles, Krause Publications 1998, ISBN-13: 978-0873416573 s.22-26 Alison J.Reid Stich Magic, 102 John Gillow and Bryan Sentance, World Textiles, 1994, ISBN 13: 9780500282472. p.122-127 Shaping and Heat-setting synthetic fabric, 2011, http://krex.ksu.edu, 31-41 Kate Wells, Fabric Dyeing&Printing,Conran,1997, ISBN-10: 1850298661; s.125
8	Midterm Week
9	Surface design	Richard Fisher and Dorothy Wolthal, Textile Print Design, Fairchild Publications,1987, ISBN 9780870055133, s.54-70
10	Preparation of the pattern	Richard Fisher and Dorothy Wolthal, Textile Print Design, Fairchild Publications,1987, ISBN 9780870055133 s.130-145 Marypaul Yates, Textiles, WW. Norman Company, 1995, ISBN-13: 978-0393730036, s.135
11	Preparation of film positive	Amanda Briggs Goode, Printed Textile Design, laurence King Publishing, 2013, ISBN10: 1780671180 s.139
12	Digital printing; Introduction and application	Amanda Briggs Goode, Printed Textile Design, laurence King Publishing,2013, ISBN10: 1780671180 s.139
13	A product will be created by combining learned techniques (Color, pattern, decoration and function will be considered)
14	Semester Review
15	Semester Review
16	Project submission

Course Notes/Textbooks

Suggested Readings/Materials

Jane Dunnewold, Art Cloth: A Guide to Surface Design For Fabric, Interweave Press 2008 ISBN-10: 1596681950.

Linda F. Megehee, Creating Texture With Textiles, Krause Publications 1998, ISBN-13: 978-0873416573

John Gillow and Bryan Sentance, World Textiles, 1994, ISBN 13: 9780500282472.

Shaping and Heat-setting synthetic fabric, 2011, http://krex.ksu.edu,

Kate Wells, Fabric Dyeing&Printing,Conran,1997, ISBN-

10: 1850298661;

Mary Schoeser, World Textiles: A Concise History, Thames and Hudson, 2003,ISBN-10: 0500203695,

5000 Years of Textiles Ed. Jennifer Harris,1993, Bristish Museum Press,ISBN-10: 0714117153 .

Repeat Pattern, Thames and Hudson, 1993, ISBN 10:0500276870

John Gillow and Bryan Sentance, World Textiles, 1994, ISBN 10: 0500282471 ,

Sırrı Demirci, Elvan Yazmalar Diyarı Tokat, Tokat Belediyesi, 2016

Robert Adamand Carol Robertsan, Screen Printing the complete water-based system, Thames and Hudson, 2002, ISBN-13: 978-0500284254

Macarena San Martin, Patterns in Fashion, Evergreen, 2009, ISBN 13: 9783836511698

Routh Lee, Three dimentional textilees with coil, loops, knots and nets, Batsford,2010, ISBN 13: 9781906388645

Starr Siegele, Toiles for All Seasons, Allentown Art Museum,2004, ISBN 13: 9781593730307

Angela Völker, Textiles of The Wiener WerkstatteThames and Hudson, ISBN-13: 978-0500285183

Peter Dormer, Design Since 1945, Thames and Hudson, 1993, ISBN-13: 9780500202616

Richard Fisher and Dorothy Wolthal, Textile Print Design, Fairchild Publications,1987, ISBN 9780870055133

Amanda Briggs Goode, Printed Textile Design, laurence King Publishing, 2013, ISBN10: 1780671180

Semester Activities	Number	Weigthing
Participation	1	10
Laboratory / Application
Field Work
Quizzes / Studio Critiques	6	30
Portfolio	1	30
Homework / Assignments
Presentation / Jury
Project	1	30
Seminar / Workshop
Oral Exams
Midterm
Final Exam
Total

Weighting of Semester Activities on the Final Grade	9	100
Weighting of End-of-Semester Activities on the Final Grade
Total

Semester Activities	Number	Duration (Hours)	Workload
Theoretical Course Hours (Including exam week: 16 x total hours)	16		0
Laboratory / Application Hours (Including exam week: '.16.' x total hours)	16	4	64
Study Hours Out of Class	3	1	3
Field Work			0
Quizzes / Studio Critiques	6	1	6
Portfolio	1	7	7
Homework / Assignments			0
Presentation / Jury			0
Project	1	10	10
Seminar / Workshop			0
Oral Exam			0
Midterms			0
Final Exam			0
		Total	90

#	Program Competencies/Outcomes	* Contribution Level
#	Program Competencies/Outcomes	1	2	3	4	5
1	To be able to develop and design a collection independently.	-	-	-	-	-
2	To be able to do maintain a design research individually or as a team.	X	-	-	-	-
3	To be able to develop entrepreneurship- and managerial skills for a future professional practice.	-	-	-	-	-
4	To be able to understand, interpret and apply theoretical knowledge in fashion and textile design.	-	X	-	-	-
5	To be able to analyze and integrate the particular local and regional needs and of their profession.	-	X	-	-	-
6	To be able to obtain a multidisciplinary point of view, follow and analyze the new issues, changes and trends in contemporary design and art in such a way that they can be integrated into design practice.	-	-	-	-	-
7	To be able to apply industrial requirements, knowledge of material & usage and know-how knowledge in the creation of high quality fashion products.	X	-	-	-	-
8	To be able to use digital information and communication technologies at a level that is adequate to the discipline of fashion and textile design.	-	-	-	-	-
9	To be able to develop an ongoing analytical and professional approach to academic and design research.	-	-	-	-	-
10	To be able to recognize the need and importance of a personal lifelong learning attitude towards their chosen area of interest.	X	-	-	-	-
11	To be able to collect data in the areas of fashion and textile design and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1).	-	-	-	-	-
12	To be able to speak a second foreign at a medium level of fluency efficiently.	-	-	-	-	-
13	To be able to relate the knowledge accumulated throughout the human history to their field of expertise.	-	-	-	-	-