FACULTY OF FINE ARTS AND DESIGN

Department of Textile and Fashion Design

FA 411 | Course Introduction and Application Information

Course Name
Fashion Photography and Styling
Code
Semester
Theory
(hour/week)
Application/Lab
(hour/week)
Local Credits
ECTS
FA 411
Fall/Spring
2
2
3
4

Prerequisites
None
Course Language
English
Course Type
Elective
Course Level
First Cycle
Mode of Delivery face to face
Teaching Methods and Techniques of the Course Discussion
Group Work
Q&A
Critical feedback
Application: Experiment / Laboratory / Workshop
Lecture / Presentation
Course Coordinator
Course Lecturer(s)
Assistant(s) -
Course Objectives The aim of this course is to understand and analyze the concept of fashion photography and to provide a critical overview of trends in past and present fashion photography.
Learning Outcomes The students who succeeded in this course;
  • will be able to define the basic terms related to fashion photography and style creation.
  • will be able to visualize fashion products.
  • will be able to discuss trends in fashion photography.
  • will be able to analyze Editorial (Magazine - Newspaper) Advertising styles.
  • will be able to critize different design approaches in fashion photography
Course Description This course introduces the historical development of basic photography, light knowledge and fashion photography, identifying and visualizing current trends.

 



Course Category

Core Courses
Major Area Courses
X
Supportive Courses
Media and Management Skills Courses
Transferable Skill Courses

 

WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

Week Subjects Related Preparation
1 Introduction
2 Photography Basics Diprose, G. and Robins, J., 2012, Photography: the new basics: principles, techniques and practice, Thames&Hudson: United Kingdom, ISBN: 978-0-500-28978-5, p. 45-68 and 113-140.
3 Basics of Photostudio Equipments & Introduction to Fashion Photography Child, J., Studio Photography Essential Skills, 2008, 4th ed., Focal Press: Canada, ISBN: 978-0-240-52096-4, p. 45-126. Jade, L., 2012, Fashion Photography 101, The Ilex Press: United Kingdom, ISBN: 978-1-4547-0418-8, p. 10-127.
4 History of Fashion Photograph & Presentation Brief Hall-Duncan, N., 1979, The History of Fashion Photography, Alpine Book Company: New York, ISBN: 0-933516-00-2, p.14-184.
5 Project 1: Outdoor shooting of fashion products (%15) Smith, B, 2008, Fashion Photography: A Complete Guide to the tools and Techniques for the trade, Amphoto Books: New York, ISBN: 978-0-8174-2721-4, p.34-138.
6 Presentation & Adobe Camera Raw Workshop Sheppard, R., 2008, Adobe Camera Raw For Digital Photographers Only, 2nd ed., Wiley Publishing: Indiana, ISBN: 978-0-470-22457-1, p.73-266.
7 Project 1 Continues
8 Project 2: Indoor shooting of fashion products (%15) Siegel, E, 2008, The Fashion Photography Course: First Principles to Successful Shoot - the Essential Guide, Thames&Hudson: London, ISBN: 978-0-500-28769-9, p.10-99.
9 Project 2 continues
10 Project 3: Still-life shooting of fashion products (%15) Perweiler, G., 1984, Secrets of Studio Still Life Photography, Amphoto: New York, ISBN: 0-8174-5898-0, p.6-133.
11 Project 3 Continues
12 Photoshoot Event
13 Project 4: Experimental applications in fashion photography (%15) Doble, R., 2010, Experimental Digital Photography, Lark Books: New York, ISBN: 978-1600595172, p. 129-158
14 Project 4 Continues & Portfolio Submission Brief
15 Semester Review Portfolio Submission
16 Semester Review

 

Course Notes/Textbooks
Suggested Readings/Materials

Diprose, G. and Robins, J., 2012, Photography: the new basics: principles, techniques and practice, Thames& Hudson: United Kingdom, ISBN: 978-0-500-28978-5, s. 45-68, and s.113-140.

Child, J. Studio Photography Essential Skills, 2008, 4th ed., Focal Press: Canada, ISBN: 978-0-240-52096-4, s. 45-126.

Jade, L., 2012, Fashion Photography 101, The Ilex Press: United Kingdom, ISBN: 978-1-4547-0418-8, p. 10-127.

Hall-Duncan, N., 1979, The History of Fashion Photography, Alpine Book Company: New York, ISBN: 0-933516-00-2, s.14-184.

Smith, B, 2008, Fashion Photography: A Complete Guide to the tools and Techniques for the trade, Amphoto Books: New York, ISBN: 978-0-8174-2721-4, s.34-138.

Sheppard, R., 2008, Adobe Camera Raw For Digital Photographers Only, 2nd ed., Wiley Publishing: Indiana, ISBN: 978-0-470-22457-1, s.73-266

Siegel, E, 2008, The Fashion Photography Course: First Principles to Successful Shoot - the Essential Guide, Thames& Hudson: London, ISBN: 978-0-500-28769-9, s.10-99.

Perweiler, G., 1984, Secrets of Studio Still Life Photography, Amphoto: New York, ISBN: 0-8174-5898-0, s.6-133.

Doble, R., 2010, Experimental Digital Photography, Lark Books: New York, ISBN: 978-1600595172, s. 129-158.

 

EVALUATION SYSTEM

Semester Activities Number Weigthing
Participation
1
10
Laboratory / Application
Field Work
Quizzes / Studio Critiques
Portfolio
1
20
Homework / Assignments
Presentation / Jury
1
10
Project
1
60
Seminar / Workshop
Oral Exams
Midterm
Final Exam
Total

Weighting of Semester Activities on the Final Grade
4
100
Weighting of End-of-Semester Activities on the Final Grade
Total

ECTS / WORKLOAD TABLE

Semester Activities Number Duration (Hours) Workload
Theoretical Course Hours
(Including exam week: 16 x total hours)
16
2
32
Laboratory / Application Hours
(Including exam week: '.16.' x total hours)
16
2
32
Study Hours Out of Class
14
1
14
Field Work
0
Quizzes / Studio Critiques
0
Portfolio
1
18
18
Homework / Assignments
0
Presentation / Jury
1
4
4
Project
4
5
20
Seminar / Workshop
0
Oral Exam
0
Midterms
0
Final Exam
0
    Total
120

 

COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

#
Program Competencies/Outcomes
* Contribution Level
1
2
3
4
5
1

To be able to develop and design a collection independently.

2

To be able to do maintain a design research individually or as a team.

X
3

To be able to develop entrepreneurship- and managerial skills for a future professional practice.

4

To be able to understand, interpret and apply theoretical knowledge in fashion and textile design.

5

To be able to analyze and integrate the particular local and regional needs and of their profession.

6

To be able to obtain a multidisciplinary point of view, follow and analyze the new issues, changes and trends in contemporary design and art in such a way that they can be integrated into design practice.

X
7

To be able to apply industrial requirements, knowledge of material & usage and know-how knowledge in the creation of high quality fashion products.

8

To be able to use digital information and communication technologies at a level that is adequate to the discipline of fashion and textile design.

X
9

To be able to develop an ongoing analytical and professional approach to academic and design research.

10

To be able to recognize the need and importance of a personal lifelong learning attitude towards their chosen area of interest.

11

To be able to collect data in the areas of fashion and textile design and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1).

12

To be able to speak a second foreign at a medium level of fluency efficiently.

13

To be able to relate the knowledge accumulated throughout the human history to their field of expertise.

*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest

 


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